Address Unknown
Post-film Q&A with Brandeis University Professor Thomas Doherty, Author of Hollywood & Hitler.
New England Premiere of a new digital restoration!
In this tightly wound and suspenseful film noir set in the early 1930s, Martin Schulz (Paul Lukas) returns with his family to his native Germany, leaving behind his San Francisco art gallery under the direction of his German-Jewish business partner, Max (Morris Carnovsky).
As Martin falls under the spell of a charismatic Nazi leader (Carl Esmond) and fascism’s corrosive doctrine, tensions naturally rise between best friends Martin and Max. When Max’s daughter Griselle (K.T. Stevens) an actress in Berlin, faces escalating danger as antisemitism roils Germany, the two families are thrust into a web of intrigue, coded messages, and shocking betrayals.
Despite Oscar nominations for art direction and musical score and an impressive creative team, Address Unknown remains little known and rarely screened. A chilling work of strong political conviction with astonishing visual impact, Address Unknown is one of the most powerful and artistic films to emerge from Hollywood during WWII. Along with Mortal Storm (1940) and None Shall Escape (1944)—films presented by NCJF in their previous film festival editions—Address Unknown is one of the only wartime Hollywood films to explicitly depict what was happening to Jews in Nazi Germany.
Conveyed by bold expressionistic camera work, lighting, and art design, Address Unknown was produced and directed by the great William Cameron Menzies, better known for his work as a production designer and art director on dozens of classics, including Gone with the Wind and Alfred Hitchcock’s Rebecca and Spellbound. Cinematographer Rudolph Maté creates an evocative, shadowy world of menace and paranoia. The terrific cast is led by Paul Lukas, who, as the duplicitous Martin, appears in his first movie role after his Oscar-winning turn in Watch on the Rhine. Lukas, a Hungarian Jew, and much of the cast were themselves European emigres.
The film is based on the 1938 bestselling novel of the same name by American author Kathrine Kressmann Taylor, a devastating work of political fiction about the rise of fascism that resonates strongly today.
“In 1944 nothing else in American movie theaters looked quite like this. At a swiftly paced 72 minutes, you are going to see more cinematic artistry than you would get in eight or ten other movies of this era combined.” – Eddie Muller aka The Czar of Noir
— Preceded by —
You Nazty Spy!
Director: Jules White USA | 1940 | English | 18m
New England Premiere of New Digital Restoration
This Dadaist anti-fascist short with the Three Stooges making fun of Hitler, Mussolini, kleptocrats, and war-profiteering businessmen is—unfortunately—more than relevant today. Released 10 months before Charlie Chaplin’s The Great Dictator, this little-seen, wickedly funny gem was Hollywood’s first anti-Nazi comedy.
Starring the incomparable slapstick comedy team of Moe Howard, Larry Fine, and Curly Howard, You Nazty Spy! was the 44th of the 190 shorts released by Columbia Pictures with the comedians between 1934 and 1959. The film’s title plays upon the 1939 Warner Brothers film Confessions of a Nazi Spy and comedian Joe Penner’s catchphrase “You Nasty Man!
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