The House with Laughing Windows
Art restorer Stefano (Lino Capolicchio) arrives at an isolated Italian village to repair a fresco depicting the agonizing martyrdom of Saint Sebastian.
The original painter was a death artist–a madman so obsessed with mortality that, according to whispered rumors, he tortured his models in their final moments of life. When people begin to turn up dead, Stefano is forced to consider the possibility that the artist has returned to continue his brutal career–and that he is the primary target.
Often counted among the greatest gialli ever made, The House with Laughing Windows offers a uniquely eerie twist on the genre, culminating in an unforgettable ending that will remain with you long after the credits have rolled.
ABOUT JANUARY GIALLO:
"Every January, we like to pour ourselves a glass of J&B whiskey, sharpen our straight razor and slip on those black gloves to celebrate our favorite horror sub-genre, the Giallo. For those of you who don’t know, a Giallo is Italy’s answer to murder mysteries and thrillers that was kicked off by Mario Bava with The Girl Who Knew Too Much (aka Evil Eye) in the early sixties. While filmmakers like Umberto Lenzi made some excellent Giallos in the late sixties/early seventies such as Orgasmo and Knife of Ice, the sub-genre became popularized by Dario Argento with The Girl with Crystal Plumage. Throughout the seventies, Argento along with Sergio Martino, Lucio Fulci, Luciano Ercoli, Aldo Lado and many more made several visually stunning and viscerally violent cinematic excursions. The word Gialllo means ‘yellow’ in Italian, which was the color of the pulp and crime books that some Giallo took inspiration from. Although stylistically, the Giallo shares DNA with the German Krimi Films, the sub-genre took some wild turns mingling with occult, Gothic horror, Poliziotteschi, and psychedelia elements that created many unique variations." - Cinematic Void
