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Newly retired from a job as church administrator, Anke (played by the filmmaker’s own mother) dreams of spending time with her grown children—including her uncommunicative and elusive son, Max, who has been living for years in Hong Kong, and who is unable to join his mother and sister back in Germany due to the ongoing pro-democracy protests.
In a daring decision, Anke, though suffering from depression and anxiety, travels to Hong Kong to find Max and perhaps also herself.
