Closing early Sunday:
Due to inclement weather, the final showtime of the day on Sunday, February 22, will be the 7:45pm screening of MIDWINTER BREAK.
Assistive Technologies

Nothing Underneath

Runtime
1hr 32mins
Directed by
Carlo Vanzina
Featuring
Tom Schanley,
Renée Simonsen,
Donald Pleasence
Body

Chasing fame is murder. 

Bob Crane has long maintained a psychic connection to his twin sister, Jessica, who works as a fashion model in Milan. When Bob senses that his sister might be injured or killed, he travels to Italy to look for her, only to discover that she's vanished without a trace. Enlisting the help of about-to-retire Commissioner Danesi, Bob soon finds himself embroiled in a web of mystery and terror, when a scissors-wielding killer begins to strike and all clues lead back to Jessica. 

A highly entertaining and unexpectedly raunchy late-period giallo, clearly taking a cue from the American slasher craze, Carlo Vanzina's Nothing Underneath amps up the mid-80s excess and stars prolific TV actor Tom Schanley (Dexter), Danish fashion model Renée Simonsen, and Donald Pleasence (Halloween).

ABOUT JANUARY GIALLO:

"Every January, we like to pour ourselves a glass of J&B whiskey, sharpen our straight razor and slip on those black gloves to celebrate our favorite horror sub-genre, the Giallo. For those of you who don’t know, a Giallo is Italy’s answer to murder mysteries and thrillers that was kicked off by Mario Bava with The Girl Who Knew Too Much (aka Evil Eye) in the early sixties. While filmmakers like Umberto Lenzi made some excellent Giallos in the late sixties/early seventies such as Orgasmo and Knife of Ice, the sub-genre became popularized by Dario Argento with The Girl with Crystal Plumage. Throughout the seventies, Argento along with Sergio Martino, Lucio Fulci, Luciano Ercoli, Aldo Lado and many more made several visually stunning and viscerally violent cinematic excursions. The word Gialllo means ‘yellow’ in Italian, which was the color of the pulp and crime books that some Giallo took inspiration from. Although stylistically, the Giallo shares DNA with the German Krimi Films, the sub-genre took some wild turns mingling with occult, Gothic horror, Poliziotteschi, and psychedelia elements that created many unique variations." -Cinematic Void

co-presented by

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