Trailer
Assistive Technologies

Tenebrae

Runtime
1hr 41mins
Directed by
Dario Argento
Featuring
Anthony Franciosa,
John Saxon,
Daria Nicolodi
Body

Italian horror master Dario Argento elevates the giallo genre to new heights with 1982’s Tenebrae, a darkly humorous and notoriously grisly murder-mystery that many consider to be one of his finest works.  

American mystery author Peter Neal comes to Rome to promote his newest novel, Tenebrae. A razor-wielding psychopath is on the loose, taunting Neal and murdering those around him in gruesome fashion just like the character in his novel. As the mystery surrounding the killings spirals out of control, Neal investigates the crimes on his own, leading to a mind-bending, genre-twisting conclusion that will leave you breathless! 

ABOUT JANUARY GIALLO:

"Every January, we like to pour ourselves a glass of J&B whiskey, sharpen our straight razor and slip on those black gloves to celebrate our favorite horror sub-genre, the Giallo. For those of you who don’t know, a Giallo is Italy’s answer to murder mysteries and thrillers that was kicked off by Mario Bava with The Girl Who Knew Too Much (aka Evil Eye) in the early sixties. While filmmakers like Umberto Lenzi made some excellent Giallos in the late sixties/early seventies such as Orgasmo and Knife of Ice, the sub-genre became popularized by Dario Argento with The Girl with Crystal Plumage . Throughout the seventies, Argento along with Sergio Martino, Lucio Fulci, Luciano Ercoli, Aldo Lado and many more made several visually stunning and viscerally violent cinematic excursions. The word Gialllo means ‘yellow’ in Italian, which was the color of the pulp and crime books that some Giallo took inspiration from. Although stylistically, the Giallo shares DNA with the German Krimi Films, the sub-genre took some wild turns mingling with occult, Gothic horror, Poliziotteschi, and psychedelia elements that created many unique variations." - Cinematic Void

co-presented by:

This Week

  • The new film from director Park Chan-wook (Oldboy, Decision to Leave) and based on Donald E. Westlake's novel The Ax

    Showtimes
  • A new film from Bradley Cooper, starring Will Arnett and Laura Dern.

    Showtimes
  • The eagerly-awaited new film from Jim Jarmusch, winner of the Golden Lion Best Film prize at the 2025 Venice Film Festival.

    Showtimes
  • From Academy Award winning writer/director Chloé Zhao, starring Jessie Buckley, and Paul Mescal. 

    Showtimes
  • Winner, Silver Lion Grand Jury Prize, 2025 Venice Film Festival

    Showtimes
  • Terrence Malick's feature directorial debut, starring Martin Sheen and Sissy Spacek.

    Showtimes
  • When the lights go out, the knife goes in.

    Showtimes
  • Furiosa and Fury Road Double Feature

    Survive the wastelands and reach what awaits in Valhalla!

    Showtimes
  • Pre-film seminar by Jonathan Foltz, Associate Professor of English and Director of the Cinema & Media Studies Program at Boston University.

    Showtimes
  • Boston's one and only open mic night for filmmakers!

    Showtimes
  • In this course, we’ll sweep through the history of American journalists on film, as taught by Judi Freeman.

    Showtimes
  • A raw and unflinching portrait of survival, sexuality, and self-invention, marking the directorial debut of Kristen Stewart

    Showtimes
  • Introduced by Dr. Michelle Putnam is the Director of the Gerontology Institute & Professor at the University of Massachusetts Boston.

    Showtimes
  • From filmmaker Mona Fastvold (The Brutalist) comes the extraordinary true legend of Ann Lee, starring Academy Award nominee Amanda Seyfried. 

    Showtimes
  • Part man. Part machine. All cop. The future of law enforcement.

    Showtimes
  • Join Kevin Siegfried and Robert Kirzinger of the Boston Symphony Orchestra to explore and hear Shaker music as an expression of philosophy and craft.

    Showtimes
  • Based on the true story of the notorious serial killer and the intense manhunt he inspired.

    Showtimes
  • Monsters, Inc.: We Scare Because We Care

    Showtimes
  • Presented by Brookline for the Culture.

    Showtimes